Some Thoughts on Writing: Throughlines
I have come to believe that there is nothing inherently poetic about a particular place. The commonplaces, or loci communes if you want to get fancy with it, that poets return to so often
I have come to believe that there is nothing inherently poetic about a particular place. The commonplaces, or loci communes if you want to get fancy with it, that poets return to so often
I have a new short story — Dads on Deck — now available to read online at X-R-A-Y. This was a fun one to write for me, not least because
A literary friend and editor of the great Great Lakes Review wrote a very thoughtful, kind review of Yeoman’s Work on its two-year publishing anniversary. You can check out Mitch
I’ve got a new poem up with The Lindenwood Review. Interestingly, they only publish prose poems (paragraph form) which can be fine and challenging. You can find my prose piece,
I did admit these would be sporadic, but consider this a good faith effort to keep the stove from dying completely. The previous dispatch covered the recording and maintenance of
I have a new poem appearing with the wonderful journal up in Ludington, Making Waves: a West Michigan Review. They’re a cool writing group that produces their own magazine, which
I have the great fortune of teaching creative writing. It’s a mostly wonderful endeavor because it provides people with an outlet and a guaranteed readership for their ideas and feelings.
A very cool journal, Lucky Jefferson, has published one of my new poems. You can check it out here. It’s titled “When the old man at the grocery asks you
I have a new short story, “A Friend from School,” now live and free to read at your leisure. It’s about what happens when different points of your life collide.
One of my favorite poems, “Hoya, she says,” appears in the new issue of The Ilanot Review, an international journal based out of Israel and produced by the Shaindy Rudoff